We are very proud to have as artist of the month Pia Alessandri from Brazil. Pia is a 360 degrees artist being a dancer, fashion designer, writer and actress. Pia started her career in Brazil where she worked as an illustrator and then fashion designer, always studying
and pursuing acting on the side. Today she resides in NYC, successfully working as an actress.
Pia Alessandri
Forum Artistico: You are an actress, fashion designer and a writer. Howdid everything start?
Pia: It started in high school. We had a fantastic theater department, and thetheater itself was beautiful. Our Theater Director Mrs. Stanton alwaysencouraged me, and instilled in me the same enthusiasm she had herself. I lovedbeing part of the process that brought entertainment to a public, whether it bein the Glee Club (which I was a part of), Chorus, Theater, or even workingbackstage designing costumes and doing makeup for other actors. Everything wasdone by students, and it was a tightly run ship. In Drama class, we created andwrote scenes, that we performed in other high schools, and that¹s how it allstarted. If you were part of the Drama Club, you took it very seriously.
F.A.: Pia, you are also a dancer, which place dancing had and still hasin your life?
Pia: Nothing exercises the body and the mind like dance. I danced for a smallcompany in Rio called Ballet Bethinha, but today... it's what I do to enjoymyself, and to keep in shape. It's nice to feel music through movement, andmastering different techniques is a life long endeavor. It enhances acting inmany ways, due to the body expression and physicality it provides. I'vesustained many injuries in dancing though, so I steer clear from grand-plies,nowadays.
F.A.: You are originally from Brazil, do you want to tell us a littleabout the artistic opportunities in Brazil?
Pia: Brazil is a force to be reckoned with. I guess the word that bestdescribes it is: YOUTH. It has a young , progressive, creative energy in all thearts. I am always surprised by the way Brazilian creativity stretches my own. Ifeel renewed and invigorated every time I go. Brazilians are bold, visceral,they take risks and reap from a lot of different influences. The opportunitiesfor artists are constantly growing and many get recognized abroad.
F.A.: As an actress you worked in live theatre and movies, which do you like more?
Pia: MOVIES!!! Film is where I belong. I love the theater, it makes an actorstrong, confident, seasoned, thinking on his toes. But I have stage fright, andmy voice gets fatigued. As an actor one is constantly working on voice as partof the craft, but it's done more intensely for the theater. The stage fright issomething that makes me very conflicted. I conquer it during any givenperformance, and at the end I feel exhilarated. It's the moment before going onstage that makes me sick to my stomach. I can't believe the audience paid, and Ijust want to get out of there. That's why high school was so special. It wasnever about making money, it was sheer love, and audience members would loveeverything no matter what. You knew what kind of audience you would get everysingle night. They would cling to every little word. The professional world hasit's own magic and gratification of course. I still prefer film though becausethe editing is an incredible surprise in the end. I love that.
F.A: What type of roles do you like to play, comedy or drama?
Pia: I'm naturally comedic, but it really doesn't matter to me. What moves andinspires me is brilliant writing. There's nothing like being in awe of a scriptthat you are holding in your hand. It may be dramatic, or even totally goofy.Brilliant writing comes in all shades. It's the story and the way it's told thatreally counts.
Pia in "It Was Just a Dream"
F.A.: In one moment of you career you decided to go back to school topursue a career as journalist. Can you tell us more about it?
Pia: I actually never wanted a career as a journalist. I wanted to be forcedto write. Writing requires a lot of discipline. And it helps to get into aclassroom and focus, especially when one is as opinionated as myself. I likeobjectivity, and get to the point style of writing. A huge inspiration for mewas a journalist named Jonathan Harr. I love his work and want to be like him.There's nothing like putting your point of view on a piece of paper and have noone to contest it. It's cathartic. It's only you and the paper (or thecomputer).What will come out of it, is yet to be seen. I'm not in a rush.
F.A.: Being a 360 degrees artist, what do you take from one artisticdiscipline into another one?
F.A.: As fashion designer you worked for Rocco Barocco, Linea Cotone, Brazil.Can you tell us about the creative process that goes into a fashion creation?
Pia: That was an interesting phase because I never sought the job and I don'teven know how to sew. It certainly helped being surrounded by professional seamstresses. The company stumbled over my portfolio that was full of fashionillustrations and decided to meet with me. They asked to see my collection. Iexplained I didn't design, but I love to illustrate and had tons of opinionsabout fashion. Luckily my views and tastes were in agreement with the owners,and as a result, it turned out to be a lucrative proposition . I mostly followedthe trends, but tried to have an edge in a theme. This experience would havenever happened hadn't I been in Brazil, with people bold enough to take risks. Iloved the experience and the cotton line did really well.
F.A.: Are you currently working in a project or a production?
Pia: I was cast in a small budget film to start shooting in January, and amalso working in translating a book that I wrote originally in Italian. Althoughacting is my absolute priority, writing is something that I can't let go.Voice-overs are also a big part of what I do. I have a good agent and have beenfortunate to book a few fun jobs lately, with Hellmans and Duracell. It's aconstant going to auditions...The good part about the voice-over auditions isthat make-up and wardrobe don't matter.
F.A.: What is next in your career?
Pia: Definitely organizing my reel and other promotional tools. But first avacation. I'm going to Brazil for a while soon.
F.A.: Based on your personal experience, what would you advise other young artists that are thinking of undertaking a career as an artist?
Pia: There is something that I learned in acting that applies to all arts.There are techniques that actors use, where an actor accesses past emotions,tragic events or very sad ones, in order to convey an emotion to an audience. Ihave found that those techniques take away from the joy of acting, disconnectsme from the scene, the words that I'm saying, and the character. It depresses meand leaves me exhausted. The best thing for me is to look at my character andempathize, understand. That ability will help me inhabit the character, find theinspiration and maintain the truth. I find that the pursuit of any artisticcraft needs to be first and foremost instinctual and visceral. The varioustechniques are important to learn, but at one point it's about the instinct andinspiration. Find the inspiration and go for it 1000 percent.
F.A.: Is there anything else that you would like to share with us?
Pia: At the risk of sounding preachy... Yes. A strong actor is someone with apolitical conscience. I find it fundamental to be curious and learn about theroots of the problems in our world. We are all connected and interdependent.Having a profound understanding, makes a whole nation more enlightened and lessprone to repeat history. It starts with each of us but artists have a greaterresponsibility that should go beyond self indulgence. It's a noble professionfor it's ability to touch, move, entertain , educate and inspire, but when itcomes from a deeper awareness of our condition in the world, the art is simplyricher and more important.